But when hearing the lecture on Ethnomethodology, I did start getting convinced too by the idea that in the course of everyday interaction that we have this ability to make large scale practical interpretations. Through which we ascribe meaning to interactions which might otherwise live us in a continious state of confusion and nervousness.
So this seems to conflict with Goffman in that to say there is a script is to say that what is going to
happen is predicted and planned out and therefore a script can be applied – but
we’re not in a fat moment, everything is intermittently happening – where as if
you look at it like Garfinkel, that we go by codes that have process as these
sense making devices that we use to interact with the world and other beings,
there not outside of where we are telling us what to do like a script would or
how Goffman would look at everyday symbolic interaction as being a contrived
pre-planned performance. We are producing meaning inside the interaction we
cannot just be following endless amounts of scripts with clauses and
sub-clauses that are infinite. In this way we can say that everyday interaction
is somewhat undetermined which breaks down Goffman’s dramaturgical metaphor at
it’s core.
Or perhaps we could find some middle ground, between constant sense making and scripted performances.
How interesting. Whilst you think that Goffman and Garfinkel seemingly conflict with each other, I understood that they work together and enhance each other's sociological perspective. I see that they come from a similar idea and framework of looking at our social interaction; we have scripts and codes which define how we interact and react accordingly, yet if one deviates from these sociological 'norms' the script is changed and things get awkward and weird. That is how I interpreted it, and if I'm abhorrently wrong please help me understand lol.
ReplyDeleteI think that it makes sense to think of it the way you do - i may be wrong in that way but it was just my interpretation but thanks for reading :)
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